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Spirituals and the Birth of a Black Entertainment Industry (Music in American Life) de Sandra Graham
Descripción - Críticas 'Music historians will find Spirituals and the Birth of a Black Entertainment Industry fascinating because instead of rehashing the already well-researched lyric import of the spirituals, Graham looks at the art form as the spark that ignited an entertainment industry.' --ARSC Journal 'A detailed and valuable genealogy of the spiritual.' --The Journal of Southern History 'A detailed, cogent, and fascinating history of the popularization of Negro spirituals [that is] thoroughly documented and covers a truly vast range of information. One of the especially distinctive features of Graham's approach is its careful consideration of musical elements and how they figure in defining objects under study.'--Thomas L. Riis, author of Frank Loesser 'Unpacks issues of power and cultural authenticity in the white-controlled jubilee industry and within blackface minstrelsy performances, including Uncle Tom and plantation shows . . . Spirituals and the Birth of a Black Entertainment Industry will be crucial to anyone studying American music, especially those focused on the post-Civil War period through 1900, and of course anyone who studies African American music history.'--Blackgrooves.org 'Sandra Graham breaks new ground in her nuanced examination of the white-controlled spiritual or jubilee industry, and of claims for musical and cultural authenticity by black college and independent jubilee groups, as well as white and black performers of blackface minstrelsy, American folk music, and European classical traditions.'--Portia K. Maultsby, coeditor of Issues in African American Music and African American Music: An Introduction, second edition '[A] one-of-a-kind title . . . Many volumes address spirituals themselves, but few detail the actual exponents of this important African American tradition in such a refreshingly disarming way.'--Library Journal Reseña del editor Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/ Biografía del autor Sandra Jean Graham is an associate professor of music at Babson College.
Detalles del Libro
- Name: Spirituals and the Birth of a Black Entertainment Industry (Music in American Life)
- Autor: Sandra Graham
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Spirituals and the Birth of a Black Entertainment Industry ~ Concert spirituals, commercial spirituals, and indeed the entire black entertainment industry of the nineteenth century were shaped by a common dynamic. Music, dance, comedy, performance practice, and other expressive strategies that had emerged among black Americans—and that were closely bound up with their social and religious lives—were made to conform to the preferences and .
Spirituals and the Birth of a Black Entertainment Industry ~ Spirituals and the Birth of a Black Entertainment Industry will be crucial to anyone studying American music, especially those focused on the post-Civil War period through 1900, and of course anyone who studies African American music history."--Blackgrooves
Spirituals and the birth of a black entertainment industry ~ Get this from a library! Spirituals and the birth of a black entertainment industry. [Sandra J Graham] -- Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of .
Spirituals and the Birth of a Black Entertainment Industry ~ Spirituals and the Birth of a Black Entertainment Industry Awards and Recognition: • A Choice Outstanding Title, 2018 • Music in American Culture Award, American Musicological Society, 2019. Showbiz shaping sacred song’s soaring success. Spirituals performed by jubilee troupes became a sensation in post–Civil War America.
Holdings: Spirituals and the birth of a black ~ Spirituals and the birth of a black entertainment industry / In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage.
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How Stuff Works: The Legacy of African American Spirituals ~ Sandra Jean Graham is an Associate Professor of Ethnomusicology at Babson College and the author of "Spirituals and the Birth of a Black Entertainment Industry." Although slaves came from many different African societies, there were some common Musical Traditions that brought about the spiritual.
Negro Spirituals – Black Music Scholar ~ Spirituals were one of the earliest forms of resistance and revolution, ingraining music in the very DNA of the Black American’s who live on today. Negro Spirituals live on today as many people have remastered the original songs. African American spirituals were basically articulations of religious faith(as shown below).
[SOUL SONGS: ORIGINS AND AGENCY IN AFRICAN-AMERICAN ~ African-American music stems from spirituals. These traditional songs, forged in the heart of the slave experience, have been the common ancestors of the blues, jazz, hip-hop, rap, even rock and roll. Yet, though all American music that has defined itself as “black” carries some distinct qualities from the
Music Lesson: African American Spirituals - Music ~ A lesson on African American spirituals is a lesson in history. Before teaching any spiritual, students should have a sound understanding of the origins and meanings of the spirituals they are singing. The resources in this article will help you teach your students about this American form of music.
ethnomusicology / BLACK GROOVES ~ Her new book, Spirituals and the Birth of a Black Entertainment Industry, is the culmination of her in-depth research and supplements previous articles and books on the topic, including Tim Brooks’ award winning Lost Sounds: Blacks and the Birth of the Recording Industry 1890-1919 (also part of the Music in American Life series).
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Afro-American Spirituals, Work Songs, and Ballads AFS L3 ~ AFS L 3: Afro-American Spirituals, Work SongS, and Ballads . ARCHIVE OF AMERICAN FOLK SONG . llA. 1. TROUBLE SO HARD. 2. CHOOSE YOUR SEAT AND SET DOWN. 3. HANDWRITING ON THE WALL. Sung by Dock and Henry Reed and Vera Hall, Livingston, Alabama, 1937. Recorded by John A. Lomax and Ruby Pickens Tartt. llB. THE NEW BURYIN' GROUND.
The Official Site of the Negro Spirituals, antique Gospel ~ Search gives the lyrics of over 200 traditional spirituals. Shop to acquire books and records of spirituals . Before 1865 The tunes and the beats, before 1865. The tunes and the beats of negro spirituals and Gospel songs are highly influenced by the music of their actual cultural environment. It means that their styles are continuously changing.
African American Music - History and Development ~ African-American music originated in the slavery period of the 19th century. It has had a tremendous impact on American music since then.Many songs have become a symbol of slavery, human rights and the fight for a better life.Today African-American music consists mainly of Negro spirituals, jazz, ragtime, rhythm and blues as well as soul.. In the 18th century slaves sang spirituals after .
African American Spirituals / Library of Congress ~ A spiritual is a type of religious folksong that is most closely associated with the enslavement of African people in the American South. The songs proliferated in the last few decades of the eighteenth century leading up to the abolishment of legalized slavery in the 1860s. The African American spiritual (also called the Negro Spiritual) constitutes one of the largest and most significant .
Spiritual / music / Britannica ~ Spiritual, in North American white and black folk music, an English-language folk hymn. White spirituals include both revival and camp-meeting songs and a smaller number of other hymns. They derived variously, notably from the “lining out” of psalms, dating from at least the mid-17th century.
The History of African-American Music / Our Pastimes ~ African-American music has continued to evolve, even into the modern day. Many elements of previous plantation songs, the blues, jazz and gospel have found their way into the newer forms of African-American music such as hip hop. Hip hop began in the Bronx during the late 1970s.
Spiritual (music) - Wikipedia ~ Spirituals (also known as Negro spirituals, Spiritual music, or African-American spirituals) is a genre of songs originating in the United States and created by African Americans. Spirituals were originally an oral tradition that imparted Christian values while also describing the hardships of slavery. Although spirituals were originally unaccompanied monophonic (unison) songs, they developed .
Black music History: from plantations to the White house ~ Soul music, Funk and the awakening of Black consciousness. The African-American civil rights movement arose in the United States in the 1950s/1960s. It aimed at giving equal rights and justice to the Blacks. Partly influenced by both Rhythm and blues and Gospel, Soul music appeared around the end of the 1950s.
African-American music - Wikipedia ~ African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans.Their origins are in musical forms that arose out of the historical condition of slavery that characterized the lives of African Americans prior to the American Civil War.. Following the Civil War, Black Americans, through employment as musicians playing .
Episode 3: The Birth of American Music - The New York Times ~ Episode 3: The Birth of American Music For centuries, black music has been an expression of artistic freedom. No wonder everybody is always stealing it.
African American Music - Hawkeye Herman ~ African American music incorporates an African conceptual approach into a European American musical infrastructure to produce music with a distinctive aesthetic. The combined cultural influences contributed to the development of spirituals, blues, gospel music, jazz, rhythm and blues, soul music, and rap music. 19th Century
A Short History of African-American Folk Music ~ By the 1970s, a new brand of folk music started to solidify in the African-American communities of major cities like Chicago, New York City, Los Angeles, and Detroit. Hip-hop borrowed rhythms from across the musical spectrum – from ancient African drum calls to contemporary dance music.
black spiritual songs - YouTube ~ black spiritual songs hamburgerdan1963; 108 videos; . by OLD TIME ANOINTED GOSPEL MUSIC. 6:23. Bill & Gloria Gaither - Stop By a Church . For the Rest of My Life (I'll Serve Him) [Live] by .
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